Welcome, wanderer.Stories shaped by wonder, memory, imagination, and the belief that the world around us is alive.
Inspired by indigenous wisdom and the understanding that Earth's ecosystems are not resources to exploit, but living family to protect.
Inspired by Indigenous wisdom. We listen, we learn — we do not speak for them.
Every story begins with someone willing to listen.
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No spam. Just stories and a little wonder, now and then.
Every adventure begins with a question, a little courage, and a few unforgettable friends. Choose a book below to begin the journey.
Big-hearted, gentle, and always ready to help, Bob never travels without his trusty green backpack. He is the steady heart of every adventure.
Fast, fearless, and full of energy, Lola is usually the first one to leap into adventure. Her orange neckerchief is her signature — and her spirit.
Quiet and curious, Tico notices the little things others miss. He never takes off his blue beret — and he sees farther than anyone.
Small but wise, Hope reminds everyone that even the tiniest voice can make a big difference — and introduces children to careers they never knew existed.
Some stories are written for children.
Others are written for the adults they become.
Deep Roots is a growing collection of reflections, letters, and books that explore memory, belonging, grief, ecology, technology, and our relationship with the living world. These works ask what we might remember about ourselves if we learned to listen more carefully — to the land, to one another, and to the stories we carry.
The library is just beginning. Welcome.
What if rivers, forests, deserts, mountains, oceans, and grasslands could write directly to us?
Letters from a Living Planet is a collection of reflections written from the perspective of Earth's ecosystems. Part environmental meditation, part storytelling, and part call to remembrance, the book explores what we might hear if we learned to listen again.
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A quiet journal — reflections, observations, memories, and essays exploring the relationship between people, place, nature, and belonging.
There are places that become part of your body before you are old enough to understand what they are. For me, it was a river. I grew up beside it in the Dominican Republic. Not near it. Beside it.
Read more →I was not in the best place when the dogs came into my life. At the time, I was going out too much, staying distracted, moving through life without much structure.
Read more →People often talk about artificial intelligence as if it will somehow solve the environmental crisis on its own. I don't think it works that way. A tool is still a tool.
Read more →I lost a river before I knew how to save it.
As a boy in the Dominican Republic, I grew up beside a river that felt alive. I knew where the water ran coldest, where the minnows gathered, and how the light moved through the mangroves at sunset. The land was never just scenery to me. It was relationship. It was memory. It was family.
Years later, I returned home expecting to care for my dying father. Instead, I found myself grieving two losses at once.
No one tells you that grief for a place can feel exactly like grief for a person.
That loss became the beginning of Voices of the Earth. I began asking myself a question that would shape everything I created afterward:
Voices of the Earth grew from that belief — a storytelling universe inspired by wonder, memory, imagination, indigenous wisdom, and the understanding that the ecosystems of the Earth are not resources to exploit, but living family to protect.
I am not a scientist, and I do not speak for Indigenous people or traditions. I write from the perspective of someone who grew up carrying a deep relationship with the land, and who continues learning from the people and cultures that have protected that relationship for generations.
My middle name, Guarionex, comes from a Taíno leader of the Caribbean. Though much was taken through colonization, some things survived — in stories, in names, in farming traditions, and in the belief that humanity is not separate from nature, but part of it.
That inheritance lives in every page I write.
Through children's books, reflections, environmental art, and stained-glass-inspired worlds, I hope to create stories that help readers of all ages feel wonder again — and through that wonder, connection.
Today, Voices of the Earth continues to grow through books, art, journals, and storytelling projects created to inspire curiosity, healing, and care for the living world around us.
Available for school visits, library readings, keynotes, and TEDx-style talks.
I am still listening.
— Junior Guarionex Fajardo
Guarionex's Studio
Junior Guarionex Fajardo working in his studio · Each piece begins with the belief that even what has been discarded still carries history, meaning, and the possibility of transformation.
Sculpture & Mixed Media
The Weight of More explores humanity's endless pursuit of accumulation. Constructed from a towering mass of piggy banks that nearly obscures the human form beneath, the sculpture reflects the belief that security, happiness, and fulfillment can be achieved through acquiring more. By allowing the figure to disappear beneath symbols of wealth and accumulation, the work asks a simple but unsettling question: How much is enough?
Insatiable explores humanity's endless appetite for accumulation, pleasure, and excess. Constructed from a mass of piggy banks that engulf the underlying form, the sculpture transforms a familiar symbol of saving into a reflection on desire itself. As the figure disappears beneath the weight of these symbols, the work questions whether our desires can ever truly be satisfied — or whether the pursuit of more becomes an endless cycle.
The First Vessel honors the enduring strength, wisdom, and generative power of motherhood. Combining a luminous female visage with the form of a ceremonial vessel, the sculpture reflects the mother as humanity's original source of nourishment, memory, and life. Illuminated from within, the figure becomes both ancestor and guide, embodying the resilience and sacred role of women whose labor, care, and sacrifice sustain communities across generations.
The Illusion of Time explores humanity's attempt to define, measure, and control something that ultimately exists beyond our possession. Constructed from a transparent glass head crowned with vintage clocks and reclaimed objects, the sculpture reflects the ways in which human identity becomes intertwined with the measurement of time. Yet beneath these human inventions lies a deeper reality: time cannot be owned, stored, slowed, or guaranteed.
Chronos & Blooms examines humanity's lifelong attempt to measure, organize, and control time. The transparent glass head assembled with vintage clocks and reclaimed objects reflects the way time shapes identity across a lifetime. By transforming the face itself into a clock, the work suggests that our relationship with time becomes inseparable from our sense of self — and asks a simple but profound question: if time can end at any moment, how should we spend what we believe we have?
The Lives We Didn't Live explores the idea that every choice creates a path while simultaneously leaving countless others behind. Inspired by concepts of the multiverse and parallel realities, the sculpture imagines consciousness as a universe of infinite possibilities. Emerging from a transparent human form, a constellation of colorful spheres represents alternate lives, untaken roads, forgotten dreams, and different versions of the self. Each sphere suggests a reality shaped by a different decision, circumstance, or chance encounter.
Crown of the Ancestors honors the strength, beauty, and resilience of African womanhood. The elongated neck references traditions where adornment became both cultural identity and living art. Above her rises a crown of vibrant blossoms, symbolizing generations of women whose wisdom, sacrifice, and courage continue to nourish the future. The work asks viewers to consider how beauty is defined, who preserves cultural memory, and how ancestry continues to bloom through those who carry its stories forward.
Mapping the Mind celebrates the joyful collision of creativity, imagination, and emotional expression. Inspired by the spontaneity of jazz, the sculpture transforms the human mind into a vibrant landscape where color becomes rhythm and thought becomes movement. Rather than depicting a person, the work portrays a state of mind — a place where curiosity, wonder, and artistic freedom coexist. Like jazz itself, the sculpture embraces unpredictability, reminding viewers that beauty often emerges from spontaneity rather than control.
Amphitrite reimagines the ancient Greek goddess of the sea as a contemporary guardian of the ocean's mysteries. Constructed from reclaimed glass and found materials, the sculpture combines marine forms, shell-like structures, and luminous surfaces to evoke the beauty and power of the underwater world. By transforming discarded materials into a mythological figure, the sculpture invites viewers to reconsider the relationship between mythology, memory, and the fragile ecosystems that sustain life on Earth.
The Garden of Unchosen Paths explores the quiet moments of reflection that arrive when a life has already taken shape. Crowned with translucent blossoms and carrying a painted landscape within her thoughts, the figure contemplates the countless possibilities left behind by every decision. The work suggests that memory is not a record of what happened alone, but also of what never happened. Each flower becomes a symbol of a path untaken, a dream postponed, or a future imagined but never lived.
Bottle Head transforms discarded glass bottles into a monumental portrait of consumption and consequence. The radiating bottles resemble both a crown and a warning signal — evoking ideas of power, excess, and the beauty hidden within reclaimed materials. The transparent skull becomes a symbol of human behavior: our desires, habits, and patterns reflected through the very objects we leave behind. What was once waste becomes the foundation of something enduring.
Bottle Head II transforms discarded glass bottles into a striking human form that feels both ancient and futuristic. The transparent skull emerges from a burst of bottle necks radiating outward like a crown, halo, or warning signal. By preserving the luminous green tones of the original materials, the sculpture highlights the beauty hidden within waste while confronting the consequences of modern consumption. Created entirely from reclaimed materials, the work reflects the possibility of transformation — where waste is not an ending, but the beginning of a new story.
Paintings & Works on Canvas
Beneath layers of intersecting marks and obscured color, fragments of memory emerge and disappear. The work explores how experiences are rarely preserved as complete narratives, but as scattered impressions that shift each time they are recalled. The dense surface acts as both a veil and a record — concealing moments while simultaneously revealing them, inviting viewers to search for meaning within uncertainty.
Built from countless intersecting marks and layers of color, this work explores the way memory is constructed over time. Individual moments, conversations, losses, and discoveries overlap until their original boundaries disappear, forming a complex tapestry of lived experience. Soft blues, warm oranges, pale yellows, and muted grays emerge and recede throughout, suggesting fragments of recollection surfacing from beneath the passage of time.
Layers of intersecting marks, fragments of color, and woven textures create a visual field that appears structured at first glance, yet constantly shifts as the viewer looks closer. The composition suggests a map of moments — memories, decisions, and experiences layered upon one another until the boundaries between past, present, and future begin to dissolve. Rather than portraying time itself, the painting examines the patterns we create to understand it.
Built through heavily layered acrylic paint, drips, scratches, splatters, and dense textures, the work captures the feeling of thoughts colliding before they can be organized into words. Energetic black lines move across the composition like neural pathways, connecting and disrupting the colorful layers beneath them. Rather than seeking harmony, the painting embraces tension, contradiction, and movement as essential parts of creativity and self-discovery.
Layers of dark lines, faded marks, and intersecting forms create the impression of a city map, a blueprint, or the skeletal remains of a forgotten structure emerging from beneath the surface. The painting balances order and erosion — geometric elements suggest systems of organization, while scratches, drips, and disruptions reveal the instability of memory itself. What appears solid and permanent begins to dissolve, leaving only traces of what once existed.
Created during a period of grief following the loss of the artist's mother. In the months that followed, a troubling realization emerged: her face could no longer be clearly remembered. A solitary crimson figure stands suspended within a turbulent field of color, simultaneously present and disappearing. At the center, a small heart remains visible — suggesting that while details may be lost, love endures. The painting explores the fear of losing someone twice: first through death, and then through memory itself.
Bare white trees rise from a vibrant terrain, their branches reaching outward like silent gestures frozen in time. A winding river of blue moves gently through the composition, connecting fragments of the landscape while guiding the viewer through a world that feels both familiar and otherworldly. The work explores the idea that silence is not emptiness but a place of renewal — a sanctuary where movement slows, distractions fade, and deeper forms of awareness emerge.
Vertical layers of color fall across the canvas like rain carrying fragments of forgotten conversations. Beneath the surface, hidden grids and intersecting marks suggest a language that exists beyond words — a visual record of memory, emotion, and experience. The painting explores the idea that every life leaves traces behind: patterns, connections, and stories that remain long after the moments themselves have passed.
Layers of color descend across the surface like rain, coded messages, or fading recollections. Blues dominate the composition while warm tones emerge and disappear beneath the surface, suggesting memories resurfacing through time. The painting explores the instability of remembrance — how experiences are altered, fragmented, and rewritten each time they are recalled. Rather than documenting a specific moment, it captures the atmosphere of remembering itself.
Three figures stand together within a landscape of fragmented color and shifting space, appearing both individual and interconnected. Though their features differ, they share a common gaze directed beyond the viewer toward something unseen. The work explores the tension between belonging and individuality — the way people travel through life together while carrying private worlds within themselves. They appear less like portraits and more like memories, ancestors, or companions passing through time.
Three figures stand side by side, their faces distinct yet connected through a web of color, gesture, and expression. Their oversized eyes suggest observation, curiosity, and the unspoken language that exists beneath words. Layers of turquoise, rose, gold, and black create a surface alive with movement and emotion. The work examines themes of identity, belonging, and collective experience — how relationships shape our understanding of ourselves.
Three figures stand together, each carrying a distinct presence while sharing the same space. Their expressions suggest separate inner worlds — individual journeys moving side by side. The work explores the idea that every person moves through life at a different pace, guided by experiences that cannot always be seen from the outside. It celebrates individuality within community, reminding us that belonging does not require sameness.
Concentric rings sweep across the canvas like ripples expanding through water, suggesting moments, memories, and experiences radiating outward from a central point. Layers of crimson, gold, green, black, and earth tones overlap and intersect, creating a sense of motion that feels both chaotic and intentional. Rather than presenting a destination, the work celebrates the process itself — the constant unfolding of identity through time, memory, and change.
Layers of intersecting lines, colors, and pathways weave across the canvas like an intricate map, creating a visual language that feels both structured and chaotic. The painting invites viewers to consider the question hidden within its title: who am I beneath the layers? Bright yellows, reds, whites, greens, and blacks collide and overlap, suggesting memories, influences, relationships, and experiences accumulating over time — the dense complexity of becoming oneself.
A luminous green glow emerges through a forest of dark vertical forms, creating a passage between shadow and light. Painted during a period of personal reflection, the work explores the quiet resilience that appears after hardship. The tall, tree-like figures stand as silent witnesses, while the radiant center suggests renewal, healing, and the possibility of moving forward even when the path is uncertain. A reminder that hope often appears gradually, illuminating the way through even the darkest moments.
A playful and expressive portrait capturing a curious cow leaning directly into the viewer's space with oversized features, bright eyes, and a comically extended tongue. The bold red background amplifies the energy of the composition, while vivid yellows, pinks, and blacks create a sense of joy, spontaneity, and childlike wonder. Painted with loose, confident brushwork, the piece embraces humor and personality over realism — celebrating individuality and the simple delight found in unexpected moments.
A winding path leads through a glowing forest of crimson trees toward a solitary figure standing beneath an umbrella at the horizon. Hidden within the composition, the traveler serves as both destination and guide, transforming the landscape into a reflection on perseverance, memory, and the passage of time. Bathed in warm golds, deep reds, and luminous light, the forest becomes a symbolic space between experience and remembrance.
A solitary clown-like figure emerges from a luminous field of gold and pale yellow, balancing vulnerability and resilience. Tears fall from wide green eyes while theatrical styling suggests the role of a performer whose inner emotions remain hidden behind a public mask. Above the figure, a pale form rises like a spirit or unspoken thought, creating a sense of transformation and emotional release. The work explores the human tendency to carry unseen emotional weight while continuing to move forward.
Three figures stand side by side, united by form yet distinguished by the explosion of color that flows across their garments and surroundings. Their elongated faces and wide-brimmed hats create a sense of quiet dignity, while energetic brushwork transforms each figure into a landscape of movement and emotion. The painting explores individuality within community — suggesting that every person carries a unique story while sharing a common journey, bound together by invisible threads.
Inspired by the vibrant hillside communities of Brazil, where homes grow organically from the landscape in a dense mosaic of color, resilience, and human connection. Bright blocks of red, green, yellow, blue, and orange suggest countless homes, each representing a unique story, family, and dream. The colorful doorways along the lower edge symbolize opportunity, migration, and the journeys that shape a community — a tribute to human resilience and ingenuity.
A celebration of human complexity. The canvas is filled with a dense population of faces, each carrying its own emotion, story, and perspective. Some figures emerge clearly while others remain partially hidden, suggesting the countless identities that surround us — and reside within us. Bright colors and exaggerated features create a sense of movement and conversation, as though the painting itself is alive with personalities competing to be seen and heard.
Layers of color emerge from a darkened landscape, revealing fragments of trees, reflections, and distant horizons. The composition exists between recognition and abstraction, inviting viewers to search for familiar forms while accepting uncertainty. The work explores the way places continue to live within us long after we leave them — memory reconstructing landscapes through emotion, time, and imagination.
Inspired by gatherings at a friend's home, this work reflects a familiar social dynamic — the people who arrive empty-handed yet leave having taken the most. The glowing red eyes and insect-like presence emerged from memories of celebrations where certain guests seemed to feed endlessly on the generosity of others. The gold surrounding the figure references the appearance of success and charm, while the distorted body suggests a creature transformed by constant taking.
Layers of intersecting lines, grids, and vibrant color fields resemble city streets, electrical circuits, and pathways of human connection. What initially appears chaotic gradually reveals an underlying structure — suggesting that even the most complex systems are built from countless individual decisions and encounters. Each crossing becomes a point of possibility, a place where one direction ends and another begins.
Two eyes emerge from a turbulent landscape of color, memory, and movement. Between them, a dreamlike figure rises from a reflective portal, suggesting a thought, memory, or vision taking form. The work explores the relationship between perception and imagination — the difference between what is observed and what is internally experienced. Sweeping arcs unite the composition, creating a space where consciousness, memory, and dreaming overlap.
At first glance the painting appears to be an abstract network of vibrant colors, fractured textures, and intersecting forms. Upon closer inspection, subtle faces and figures begin to emerge within the complexity. The work reflects the idea that every individual carries unseen stories beneath their outward appearance. Through its layered surface and shifting imagery, it invites viewers to slow down and look beyond first impressions — a meditation on perception and the deeper truths that exist just below what is immediately visible.
Luminous forms emerge from darkness, suspended between clarity and dissolution. The composition explores how memory functions not as a faithful record but as a reconstruction — fragile, incomplete, and constantly shifting. Light breaks through deep shadows like moments of sudden recollection, while the surrounding darkness suggests everything the mind has let go. The work invites reflection on how we carry the past within us, even when its details have long since faded.
A portrait of transformation, energy, and untamed identity. The figure appears caught between human and elemental forms, with hair erupting into flames that spread beyond the boundaries of the body. The textured green surface of the face and neck suggests growth, decay, and regeneration occurring simultaneously. Rather than depicting destruction, the flames become a symbol of change, passion, and resilience — inviting reflection on personal evolution and the unpredictable forces that shape who we become.
The Watcher Below explores the mystery and intelligence of the ocean through the image of an octopus whose single visible eye seems to meet the viewer directly. Its tentacles twist and weave across the canvas like living currents, creating a sense of motion, adaptability, and hidden power. At a deeper level, each tentacle appears to move independently while remaining connected to a single source — symbolizing the many paths and identities that shape a life. Playful and enigmatic, the work invites consideration of what lies beneath the surface, both in nature and within ourselves.
A fragmented portrait emerges from dense layers of color, texture, and accumulated mark-making. The figure appears assembled from countless pieces — memories, experiences, and emotions fused into a single face. The mosaic-like surface creates a tactile presence that shifts with changing light, revealing new relationships within the composition over time. The work reflects the idea that every person is made up of countless interconnected parts, all working together to form a complex and continuously evolving whole.
Constructed from found heart-shaped objects attached directly to the canvas, the work transforms discarded materials into symbols of connection and resilience. Each heart possesses its own pattern, color, and character — suggesting that no two experiences of love are ever the same. The layered surface creates a dialogue between painting and sculpture, inviting viewers to move beyond the image and experience the physical presence of the work. Through texture, color, and assemblage, the piece celebrates the beauty found in collecting, repairing, and reimagining fragments into something whole.
A group of luminous figures rises above a sea of dancers, appearing less like individuals and more like vessels through which rhythm and emotion flow. The layered yellow background radiates warmth and intensity, evoking the atmosphere of a packed venue where sound, light, and movement merge into a single experience. The circular forms that replace facial features suggest identity dissolving into vibration and sound. Rather than portraying specific people, the figures become symbols of influence, creativity, and collective expression — reflecting how music can unite strangers and create temporary communities bound together by rhythm.
Two luminous figures rise above a sea of silhouettes, suggesting the powerful influence of those who shape the emotional rhythm of a room. The vibrant field of color and scattered marks evokes sound transformed into light, while the figures appear both human and symbolic — part performer, part conductor, part spiritual guide. Below them, the crowd merges into a single flowing mass, illustrating how individual identities can dissolve into a shared experience of music, connection, and celebration. The work reflects the universal power of rhythm to unite strangers and create moments of collective joy.
At first glance, the painting resembles a field of soft pink flowers blooming across a luminous background. Upon closer inspection, the floral shapes begin to transform, revealing forms that suggest carnivorous swamp plants and other unexpected organic structures. The work explores the idea that perception is often shaped by distance and assumption — what appears familiar from afar may reveal a completely different reality when examined more carefully. Through layered acrylic washes, energetic line work, and transparent textures, it invites viewers to question first impressions and look beyond the obvious.
Interwoven lines form a dense network of pathways, intersections, and invisible routes. Beneath the geometric structure, vibrant layers of color emerge and disappear, suggesting the countless connections that shape human experience. At first glance the painting appears chaotic — upon closer inspection, order emerges. The viewer discovers pathways, intersections, and structures hidden within the complexity, much like discovering meaning within the interconnected experiences of a life. Like a map without a fixed destination, the composition invites viewers to trace their own paths through overlapping possibilities.
Additional works available. Contact for the complete catalogue.
For inquiries about available works, collaborations, or exhibitions:
voicesoftheplanet@mail.com